Editor’s Note: Before reading this review, we highly recommend checking out our review for Episode One: The Order of the Stone , Episode 2: Assembly Required , and Episode 3: The Last Place You Look as there are spoilers ahead.
Even better, indie games can afford to lose. They are often low cost, low maintenance, high concept works that don’t rely on reaching a certain figure to be considered viable, and as such they can throw caution to the wind and take some big risks while still making a profit off of even the most modest sales. That means they can also afford to remain loyal to a system like an undertaker with a debt to the don, as while they might want the money that can come with being a multi-platform release, what they need is the backing and spiritual support of a major company like Sony, Microsoft, or Nintendo to get their games out there. A backing that is no longer lip service and is becoming very, very real.
From everything that we’ve seen and heard so far, it looks like gaming companies are doing just the same, as an arms race to acquire as many indie games as possible is about to get very heated. Just like there is still some studio executive who is kicking himself for missing out on The Blair Witch Project’s profits, no gaming company wants to be the one who turned down the chance to have the next Minecraft solely on their system. Perhaps more than ever, the power in games belongs to the individual artists.
The story also deserves notice. Minecraft itself might not have as intense of a story, but Telltale was able to grab some of the more important factors of Minecraft guide and create a lore to follow and better understand what the characters with. Previously, your goal was to mine for enough materials and minerals to make a portal to the End to slay the Ender Dragon. Now, that story doesn’t necessarily apply to everyone, because the ones who slayed the Ender Dragon were the members of the Order of the Stone. The members are essentially the people that you would have normally gone to the End with to help you fight the dragon, so it almost makes it seem like you were some kind of legendary hero for being able to do that if you were able to do so in the past. Everyone else in the episode doesn’t have that same goal and, funny enough, don’t look at all like the villagers that you sometimes wander upon in the original game. The storytelling and characters leave you with enough of an impression that leaves you waiting in anticipation for the next episode. You begin to make connections with your friends and build a relationship with them in the span of one single episode so it leaves you wanting to know what will come next for this party of builders.
See, Mario and Sonic weren’t mascots because they fulfilled a certain percentage of demographic requirements or someone felt they could best be easily packed into a happy meal, but rather because they clearly represented exactly what you got with the product their faces were associated with. If you bought Sega, you got Sonic games. If you went Nintendo, Mario was your man.
It wasn’t meant to last though, as even though the 32/64 bit era only barely blurred the party lines, with every subsequent gaming generation, it became harder and harder to separate one system from another just by looking at the games on the store shelves. By the time that Peter Moore revealed a “GTA IV” tattoo on his arm at E3, the message was clear that Triple A titles had become too big and too expensive to only commit to one system or another and, outside of some in-house and privately published development teams, the idea of big name exclusives was a dying light in the night drowned out by the dawn of a new day.
Ideally it’s the optimal situation for consumers. You buy a system, and you have access to almost every major game, with as few exceptions as possible. To me though, it’s a sad thought, as I sometimes long for a time when there were an assortment of games I couldn’t play because I could only afford one system. When that one guy in the neighborhood who bought the Xbox would show us all “Halo” and have us regret our PS2 decision (if only for a moment), or when N64 owners could stretch arguments with their Playstation rivals on into the morning by just dropping the name “Goldeneye” every now and then.
Witches show up in the strangest of places, too, with some of them popping up in caves. Players can recognize them in the darkness thanks to their cackle, but those who are unprepared to fight against a Witch will soon find themselves respawning at their b
Certainly, this lends itself to some games better than others. It won’t work with any sort of scripted, linear action game, but it’s not much trouble to take a chunk of an RPG or Sandbox world, string together a bare-bones quest line, and set players loose. This allows for demos of the caliber you see with emergent games, where it’s much easier to take a chunk of gameplay and give it away – Civ V’s Demo let you play with a few civilizations on small maps, for instance, while Killer Instinct gives players one free character as a taste. I’m all for anything that allows single-player, structured games to be more competitive, especially when it provides a workable alternative to awful early-access crap.
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